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A NA-NA’S PARALLAX


The na-na's exist as active forces — neither victims nor heroines — that know the rules, and choose how to play with them without losing themselves along the way ︎


·  ABOUT THE ARTIST

·  THE NA-NA’S

·  CRITICAL TEXTS & REVIEWS
·   PHOTO INSTALLATIONS
·  VIDEO INSTALLATIONS
·  PAINTINGS
·  WRITING PROJECTS
·  BACKSTAGE AS OFF-SCREEN 
·   ART-LED LAB


ISABELLE LUTZ

She plays with the codes of pop culture, has abolished dreams of the absolute in favour of a deep relativism whose dominant form is still economic pragmatism, to immerse us in the heart of a postmodernity stripped of exteriority ︎


︎ ISABELLELUTZ.COM
︎  view the full body of work


︎ ON PARALLAX AND CONVERGENCE

︎ drifting across Geneva and Lausanne (CH)


︎ CONTACT

︎  get in touch

︎ daylight fiction
︎ night signal 
︎ lab residue
︎ network  


ALL RIGHTS RESERVED
© 2005–2026 Isabelle Lutz


A NA-NA’S PARALLAX — ISABELLE LUTZ

Behind the scenes




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FSP NATIONAL CAMPAIGN



Bulle railway station, Switzerland, 2024.













︎︎︎︎︎︎

UNIGE MELA PROMOTIONAL FILM



Chillon Castle, Switzerland, 2022.













︎︎︎︎︎︎

EPFL PROMOTIONAL FILM



EPFL Innovation Park, Switzerland, 2022.







︎︎︎︎︎︎

INSOMNIA STUDIOS



Geneva, Switzerland, 2022.







︎︎︎︎︎︎

POP LOVE CRUSH



London, UK, 2014.





︎︎︎︎︎︎

STEAMED PUMPKIN’S SQUIDS


Berlin, Germany, 2012.




















︎︎︎︎︎︎

ALDI’S CHICKENS IN LOVE



Berlin, Germany, 2012.







︎︎︎︎︎︎

AS CLEAN AS A PUSSY



Berlin, Germany, 2012.
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