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A NA-NA’S PARALLAX


The na-na's exist as active forces — neither victims nor heroines — that know the rules, and choose how to play with them without losing themselves along the way. ︎


·  ABOUT THE ARTIST

·  THE NA-NA’S

·  CRITICAL TEXTS & REVIEWS
·   PHOTO INSTALLATIONS
·  VIDEO INSTALLATIONS
·  WRITING PROJECTS
·  BACKSTAGE AS OFF-SCREEN 
·   ART-LED LAB


ISABELLE LUTZ

She plays with the codes of pop culture, has abolished dreams of the absolute in favour of a deep relativism whose dominant form is still economic pragmatism, to immerse us in the heart of a postmodernity stripped of exteriority ︎


︎ ISABELLELUTZ.COM
︎  view the full body of work


︎ ON PARALLAX AND CONVERGENCE

︎ drifting across Geneva and Lausanne (CH)


︎ CONTACT

︎  get in touch

︎ daylight fiction
︎ night signal 
︎ lab residue
︎ network  


ALL RIGHTS RESERVED
2005–2026 © Isabelle Lutz

01

A TRIP TO THE END OF BREATH


For one never takes flight except against the wind. ︎


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A DIALOGUE UNDER
THE AEGIS OF THE WOMAN

03

AROUND THE CONCEPT OF GENDER


To shed light on society’s ambivalence, where the dividing line between alienation and emancipation has become more uncertain ︎





04






A RECOMPOSITION OF IMMEDIACY
UNE RECOMPOSITION DES IMMÉDIATETÉS

05

AN ANCHOR POINT


A willingness to prospect for associations of ideas, the telescoping of images and the saturation of signifieds ︎